Bufo Alvarius: The Psychedelic Toad of the Sonoran Desert by Ken Nelson, Expanded and Updated Edition by Hamilton Morris

Hamilton Morris, chemist and indie zine hobbyist, took it upon himself to update and republish the cult classic “ethnoherpetological”* pamphlet, Bufo Alvarius: The Psychedelic Toad of the Sonoran Desert, from 1983.

Illustration of Bufo alvarius, Sonoran Desert toad, by Gail Patterson, 1983 or 1984
Illustration of Bufo alvarius, Sonoran Desert toad, by Gail Patterson, 1983 or 1984

A notable addition to the new version includes Mr. Morris’ untold history of how the original author, Ken Nelson, who had published under a pseudonym at the time, came to be interested in the mostly unknown frontier of Sonoran Desert toads to begin with.

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A spread from Bufo Alvarius: The Psychedelic Toad of the Sonoran Desert demonstrates the kind of artwork Gail Patterson was putting into eccentric anonymous zines in the early 1980s.
A spread from Bufo Alvarius: The Psychedelic Toad of the Sonoran Desert demonstrates the kind of artwork Gail Patterson was putting into eccentric anonymous zines in the early 1980s. Godspeed, Gail.

Additionally, echoing the “Please Leave Toads Alone” bookmark/leaflet included in the package, is a another new section devoted specifically to educating the public about “green and sustainable” ways to synthesize the toad’s special sauce, 5-MeO-DMT (a human psychedelic of the tryptamine class). If one really feels the need to do it, they should do it in a way that minimizes interference and destruction of the sensitive desert toad and its habitat.

Cover and back of Bufo Alvarius: The Psychedelic Toad of the Sonoran Desert
Screen-printed cover and back pages of Bufo Alvarius: The Psychedelic Toad of the Sonoran Desert

"Please leave toads alone! Choose sustainable, lab-produced, 5-MEO-DMT"
“Please leave toads alone! Choose sustainable, lab-produced, 5-MeO-DMT”

It should also be made clear that the Department of Information strongly advises against the kidnapping and/or milking of toads of any kind. The main purpose of this review is to critique the publication from an art and design perspective. Additionally, we do not endorse, condone, or suggest the “brief collapse of the ego” or a “loss of the space-time continuum” either now or in the future. 

A noteworthy spread from the 3rd pressing of Bufo Alvarius: The Psychedelic Toad of the Sonoran Desert
Eagle-eyed students of the law will take special notice of this spread from the 3rd pressing of Bufo Alvarius: The Psychedelic Toad of the Sonoran Desert.

The original illustrations are drawn by Gail Patterson. They look really great on the recycled paper, speckled with flecks and shives, that Tucson, Arizona-based artist Mylkweed and Cream Publishers printed on using soy-based inks with risograph. The paper itself was apparently made by the extremely old Michigan-based French Paper Company using hydro-electric power. The raw paper and screen printed cover’s irregular texture fully transports the reader to the Sonoran Desert of 1983.

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French Paper Company post-consumer waste speckletoned paper and a riso printed message of love
French Paper Company’s post-consumer-waste speckletoned paper and a riso-printed message of love

This limited run appears to be sold out but visit the print shop here for additional and possibly-updated information.

*Ethnoherpetological is the study of the past and present interrelationships between human cultures and reptiles and amphibians.